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Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor.,

Mrs. Wopp, as was usual at the morning meal, appeared with her greyish-red hair tortured with curl papers. After depositing the appetizing breakfast dish on the table she thrust her head out of a window and called lustily, “Come on Moses the perkelater’s perkin’ an’ the bacon’s sizzlin’ on the plate.”,

The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear.,

“She said, the Queen of Sheba did, that I’d be in danger, and some one would save me. And I’d have a s’prise, and a hus—husband, and fi-five c-chil— children!” She wailed again and hid her face on Mrs. Bennett’s shoulder.

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“Not unless you wish to so much that you will not do anything else, Billy. The world needs preachers of the right kind sadly; and the right kind take up the calling reverently, though they know it will bring them small worldly return and much toil.”,

In the front seat of the Wallace school sat Mannel Rodd. Nell Gordon declared that he was the roundest object she had ever seen in human form. Though he had arrived at the mature age of five, he still retained that cherubic appearance which one sees in the paintings of old masters. His eyes were as round as the rather sparsely-located buttons on his shirt. His nose was a small round knob. When he opened his little round mouth to lubricate a squeaky slate pencil or perhaps to enunciate some such interesting statement as this, “The cat is on the mat,” he disclosed a row of pearly little teeth. Indeed his whole face would have been as round as the moon, were it not that his chin took an unexpected little saucer-like curve in the very middle of it.,

They were at the dripping roadside tank and back in a trice. Gently where a moment before he had been ferocious with anger, Billy wiped his play-mate’s face, or rather, changed the mud from one spot to another, got him to his feet again, and finally into the buggy with the little girls by his side.,

If he had been older he would have said he had “the blues.” Yet probably he would not have known that his mental—and physical—condition was a natural result of the long strain of previous weeks. All the children felt it. That morning the cousins, Clarence and Harry, who loved each other dearly, had come to blows in the Sunday School room before the teachers arrived, over the question of which one of them should marry Miss Edith. Clarence received a bloody scratch the full length of his palm from Harry’s Band of Mercy pin; while the careful parting disappeared from his own hair, and a red splotch marred the whiteness of his wide collar. No one can tell what further calamity might have happened had not the Twins opportunely arrived and questioned of the quarrel.